This is a nice and rowdy split from a couple of super sick bands that always bring a walloping amount of pure grind fury. Indiana's own Flvx Capacitor and one of Lima, OH's nastiest bands, Landfill. Released on these sick orange tapes by Riotous Outburst Records, limited to something like 200 I think!
Flvx Capacitor are up first, serving up 9 new tracks of warp speed grindcore, plus a cover of Extreme Noise Terror's "Deceived". This side is awesome, and some of the shortest and most urgent sounding songs the Flvx has made so far. I think Chris told me that the riffs were written over improvised blasting that was recorded earlier in time. This band has riffs for days, both familiar and more modern sounding, but without sounding techy. Basically these three just know what the fuck their doing when it comes to grindcore. The very high quality recording is also top notch, everything sounds powerful and clear, though their is a noticeable drop in volume and umf on the "Deceived" cover. Great side overall though, just vicious!!
If you haven't heard Landfill yet, you're most definitely fucking up hard. Spearheaded by Will Otler (Methlab Explosion/Faction Disaster/Hot Babes/etc.), Landfill has been one of my favorite projects of his yet. Their side is completely disgusting, brutal grindcore with all the fixings you would need. Deep, gurgled vocals, thick down tuned guitars, a pingy snare, and head-to-concrete riffs. Like the Flvx side though, after track 3 it sounds like a totally different recording, way more raw. Landfill is a somewhat swirling ensemble of members, so this is nothing really new or problematic. No matter what Landfill is always brutal and I dig all of this.
This is a nice looking DIY tape, I adore the orange cassette shell. My copy got just the taddest bit fuzzy in the dubbing I think. The cymbals kinda have that washed out sound. However when you're doing 200 tapes on your own it's pretty dang forgivable.
This is a sick little split, you should definitely give it some ear time. Both these bands are definitely putting out stuff you should own , what are you even doing??
Washington State based fastcore/noisecore mashup titans Sidetracked have had nothing short of an incredibly prolific couple of years. Releasing at least 12 individual pro-CDr EP's on Jay's own label, Problems They Persist, on top of many other split 7" records, tapes, and so on. I recently was able to snag the latest 6 (!) CD's, plus this super quick 10 track cassette EP released on Practiced Hatred called "Exile". Not sure how many this was limited to, but the red artwork variant has the lyrics included. Naturally, I had to snag that version.
Wooo boy is this fassst. Pretty much by the time you pop in in the player and go and sit down, one side is over. Hardcore dudes will have the hardest time moshing to this. Heavy duty, super raw and incredibly stop/starty micro-jams. Long time admirers of Sidetracked will probably find a lot of similar qualities to the "Hustle" cassette, another 2 minute or so tape release if I remember correctly. Working with a heavy inspiration from early super aggressive hardcore bands in terms of riffs. Breaking them down and boiling song structure down to the shortest of track lengths. I've always thought Sidetracked was a genius band, and seeing them embrace rawer recording choices and taking on almost pure noisecore styles from time to time has been a very fascinating and wonderful thing to see.
I'm curious why the lyrics were only given to people who bought this red cover version. To me the lyrics in a Sidetracked song serve as strong a purpose as the music does. That aside, this tape looks sick. I really like the design, it's straight and to the point, and diverts from the usual look that Sidetracked releases have.
"Exile" has already sold out from the label, but I think Sidetracked still have some for sale on their bandcamp page.
The mash up of
Australia and the American Midwest is a beautiful combination. While
these regions may be separated by thousands of miles both have scenes
that want to create the most punishing grindcore known to man. On
this split we have Sulfuric Cautery from Dayton/Lima, OH who have
been crushing the goregrind/grindcore game the last few years. On the
other side we have Take That Vile Fiend which consists of Brad of
Radical Blarghst and has played in bands like Internal Rot, Holy
Boner, Super Happy Fun Slide, and more.
The TTVF side is
goregrind to the max. The guitars and bass are a bit muddy but
regarding the overall sound it helps, as it
gives the recording a super gross sound. The vocals are pitch shifted
well and are very deep without getting too lost in the mix. Drumming
is on point with tight grooves and mince beats countered with hyper
fast blasts. The snare has a nice ping to it that cuts through just
right. Each song begins with
a sample and because of this I wish there was another song or two as
the songs on this have exactly what I am looking for in goregrind.
Overall a solid chunk of
music that plays through really well. If you haven’t heard their
full length "Excreted
it is worth checking out.
the other side we have Sulfuric Cautery bringing 6 tracks of their
signature, over-the-top gore/grindcore. The tracks flow together
really well just like the TTVF side. Their side kicks off with a drum
fill with possibly the most ridiculous snare drum tone. I say ridiculous but it works well with that sound being pushed
so far up in the mix compared
to the bass and guitars. Listening to this I wish the guitars and
bass were a bit clearer
but their tones overall sound great for
what they are doing. The
songs are jammed packed with riffs and within a short time which
gives the songs a very spastic nature without it sounding like
disjointed. These boys are on top of their shit and are not holding
back at all and it really shows on this recording.
Several great labels helped put this out including Radical Blarghst and Blast Addict which are run by Brad and Isaac respectively.The record is a nice dark blue and plays great. Overall this is a fantastic record and definitely worth checking out. Sulfuric Cautery are making huge waves in the US scene and Australia pumps out tons of great grind.
The latest batch of releases from Prime Ruin offered a lot to the listener in the ways of expansive and shapeshifting audio adventures. They're a label I can always trust to have quality output, and support for a wide variety, but still cohesive mixture of experimental artists. One of the newest tapes from the label was the excellent new Kjostad release, entitled "Frost Cracking Trees". Limited to 60 copies on yellow tapes.
A sibling project to Stefan Aunes long going Breaking The Will moniker (both having releases on his label New Forces), Kjostad has been having a rather exciting and active past year. Releasing the split LP with Ligature, called "Overgrown", and with several more cassette releases on the way. Brilliantly recorded natural/organic textures and loops, tape manipulation, and a calculated rise in aggression and tension. A convergence of the natural and the industrial, but with neither side trying to overpower the other. "Frost Cracking Trees" is yet another incredibly detailed and layered offering, but with a much more rapid pace and destructive sound. Bright, fluttery bird calls are quickly met with the tight whip crack sounding loop of some scrap metal. Sharp bursts of finely tuned, crushing low end spastically cut into the mix in a cut-up style. The whole track builds into an enormous amount of sound and industrial rhythms. It's very impressive how Stefan is able to manipulate these field recordings into something so loud, but still keep the integrity of the organic sources. The pacing and movements of the loops also keep everything engaging.
The journey continues on side 2 with more bird sounds and the subtle crunching of feet on a foresty turf. The pulsing, crackly distortion yet again swells up in a timely manner. The wormy and gritty sound of the compressed sound sources really get under my skin sometimes, in a good way. There's lots of scratchy textures on here. It sounds like the actual scraping against tree bark and digging into the earth. Not as rapid paced as the A-side track, but the claustrophobic atmosphere is tremendous.
I adore all of the art on this tape. It's one of my favorite collages on a Prime Ruin release, it encapsulates what the recordings sound like perfectly. As usual the tapes sound pro as fuck.
Not sure how many of these are left, but if this sounds good to you at all I recommend spending your money on it.
Bruised Ego are a band that are very near and dear to my heart. One of my favorite bands to come out in the past few years for sure, and some of the raddest dudes. Their first demo tape really knocked me out when I first heard it a couple years ago, and their very active progression has been insane. This, their first full length LP "Roman Numeral One", was recently released on a variety of labels. I was lucky enough to be able to pay for a handful of copies before it went to press, and Brad was generous enough to put my lil' ol labels logo on the back. So yes this review is pretty biased, but fuck it cause y'all really need to check out Bruised Ego (and buy this LP from the band and other labels please).
Bruised Ego are a fastcore band through and through, exemplifying all the traits I love about the genre and its over the top sonic nature. Passionate, opinionated, the right amount of tongue in cheek, plus they can push the tempo's to mach 5. "Roman Numeral One" is the product of many hours spent refining their craft and they gave it the treatment it so deserves. I was so stoked when I heard that super metal producer/engineer Colin Marston was going to be recording the LP, and he definitely put a large roomy, thick sound to everything. A very raw, aggressive and energetic sound and performance comes through. It's warp speed shit, I gotta catch my breath a lot when I listen to this, and I've heard it quite a lot at this point.
Every song from the first demo is re-recorded here, but the remaining 15 tracks are all new and in your face. Bruised Ego always been really terrific song writers. Brad is a riff machine, incorporating a ton of influence from different styles of heavy music besides the tried and true fastcore bands. Adam's drumming is perfectly able to add the right amount of accents and tricks to make the riffing come alive in a new way. One of the craziest drummers to watch live. The track "Dundalk" for instance, has so many sharp stops and changes, it sounds like a track from No Comment's "Downsided", but on fast forward. Or the strange and staggering snare hit break in "Old Guy In The Pit". "Human Garbage" has a fantastically structured intro that weaves and morphs so tastily, then explodes into full on war mode. Mike is also sounding as aggressive as ever. Insane praise for being able to keep up vocals towards this music.
The packaging and layout of this record is total eye candy to me. It came out so good! The absolutely amazing cover art (done by Lobo Ramirez) is full of wonderful little easter eggs that were a lot of fun to pick out.
I'm a big fan of the whole 4-band split thing. I suppose most people would call that a compilation and call it a day. Personally I say you gotta get up to at least 5 bands for it to reach that "compilation" level. Anyway, four bands on one tape means more bang for your gorebuxxx, and I'm always down for more hot garbage sounds. This tape that Ben put out on the bodacious Craniophagus Parasiticus Records I've been after for a minute. I was happy to finally get it from him in person on the Scab Addict tour. Here's the Twat Slug/Womb Stew/Post Natal Drip/Cutaneous Horns 4-way split.
I've had an affinity for this split since it got announced. It's a stacked line-up, obviously, but everyone really just brings some of their most over the top material. One of the most coward-unfriendly splits I own, it's marvelously filthy. Twat Slug's quarter opens up the tape with four tracks of stomping, lo-fi gorenoise. Cheap, programmed drum beats, bizarre porn samples galore, blown out bass riffs and cavernously burpy vocals. This shit is great, I really adore Twat Slug. This is the kind of healthily porn-obsessed music I can get behind, and getting to see how rad the dude behind it is was really sweet too. The love for hunting down the most ridiculous and wild films, kinda like finding the most unmusical music. Real freak music, total fetish material.
Right after Twat Slug, shit gets seriously fucking loud with Womb Stew. A harsh, harsh, HARSH gorenoise project from Aaron who ran Fermented Bile Vomit Records. This offering is one of the more pure harsh noise recordings from Womb Stew. I've always admired the projects almost complete lack of separation between pure noise and gore-stylings, but again on this split it's just extra cracked out material. The drums are almost completely buried under the overdriven distorted noise and feedback, absolutely no string instruments by the sound of it. It's a harsh and heavy wall that doesn't let up, the only thing that puts it in familiar territory are the continuous roaring troll vocals. Painful and unfriendly.
Post Natal Drip come through again with another session of drunk, no-fi jamming insanity. Post Natal Drip will rip every cowards face off, as is declared while the band prepares to slam dunk this shit. Completely free, way too overblown, sloppy and wild. Like if Deche-Charge mixed up with Peter Brotzmann. Seriously, the complete bastardization of music here is so on point and in your face, I love it.
And of course we end with Cutaneous Horns, who honestly could not have done a better or more proper job with the closing track. Big ups to starting it off with a good hip-hop sample, again referencing lack of friendship towards cowards. What follows is just pure wetness. I'm almost certain that it's just layers of water under distortion. Wet gorenoise taken to the fucking limit, shamelessly and triumphantly. What's funny is that the way the different samples weave and come in and out, it actually sounds quite nice and somewhat creepy at times.
As is usual with Ben's releases, the tape sounds great, and the whole package looks nice.
If you can find this you should buy it, it gets a big recommendation from me. Real freak shit.
I’m not too into
introductions, but my name is Tyler Hammer, I play guitar for
Hallucination Realized and today I’d like to talk about
Deterioration and their newest EP, "Lupara Bianca". We recently went on
tour with Deterioration and I’d have to say they are 100% the best
grindcore band in America right now, and this EP is their best
material yet. Currently out on their label Shattered Dreams
Production as a CD and a now sold out 8-track and cassette. Hopefully their will be a vinyl version in the future.
Production wise this is their best stuff. The guitars and bass are massive sounding and the riffs have a lot of energy. The drums sound solid with a great sounding snare tone that has a nice crack but still has good ping to it. Riff wise they really bring it with a lot of really catchy parts and good slower sections, like the sludge-y riff in "Lupara Bianca" and the breakdown in "Car Battery Interrogation". For the most part the songs are blasting or doing some sort of hammer blast variant. The main theme of this release is Mafia related and it's nice to see a mix up from the usual gore related albums and songs they've done in the past. They are one of the few bands that can have funny song titles like "Car Bombing In The Name Of The Family (Bada-Boom)", while still keeping the music serious.
You can listen at their bandcamp which is linked right here. Keep on the look out for new material sometime soon and of course they will likely be playing near you as they as touring non-stop and aren't likely to slow down anytime soon.