Cutdown

Last year you might remember me posting about a lil' grind band from Connecticut called Gowl. Their infamous 7" EP, "BLURRR" took my heart and ears captive and was my favorite grindcore EP of 2014. It was a chaotic, suffocating, distorted storm of music. Full of attention grabbing riffs, grooves, and some incredibly fast drumming. "BLURRR" was all around wonderful, and the world has sat patiently ever since waiting for their first full length which was teased about. Before that however, Gowl has given us this new demo tape called "Cutdown". Containing some first drafts of songs from the full-length 10". Which was announced would be handled by Mass Deadening and Grindfather Productions. My copy was generously supplied by the band for a review. Limited to 50 copies on orange tapes. Same songs on each side.

Hopefully this tape doesn't mean that the album will be pushed back a lot longer (though with the overflow at the pressing plants currently I don't doubt it), as this tape supplies a lot of mysteries. No track listing or titles are present anywhere on the tape or online. From what I can tell there are nine songs on here, in just under 10 minutes. Gowl's usual blend of chunky death metal riffs with noisegrind's atonal chaos and frenzied hyberblast tempos still remains, and their songwriting has progressed into longer songs, and even more blasting. Seth's deep roar is more up front and clear in the mix then most previous efforts, riding their own unique pattern.
The sound of the recording really does nothing to compliment these songs however. I know it's a demo, and I certainly am not put off by a raw recording. But this kind of roughness just makes everything sound flaccid. Nothing is loud or overblown and mean. And that being the case, a lot of what's on this tape kind of goes in one ear and out the other for me. Unlike "BLURRR", a lot of the riffs don't have that aggressive punch or addictiveness that rough recordings can give music. It also doesn't help that my copy has a dub that is a little iffy. The cymbal hits all have this flanged/washed sound that's a bit distracting. I do hear parts and songs that I know would sound great with a better recording, so I'm not applying a lot of judgement on the 10" based on the sound of this tape. I do certainly hope it improves though.

Fantastic collage art again from Seth.

You can listen to a much better sounding version of this demo right HERE, and also find out how to write the band to order a tape. Bring on that 10"!

~VII

Voltage Drop

I've been waiting for this record for a while. Not only just to finally own it and hold it in my hands, but just for a grind record like this in general to spawn into creation. Gowl, an amazing, discordant quartet (a trio for this recording and all prior) from Connecticut put out their second 7" EP, "BLURRR" this year. An incredibly bold, stomping next step into grind supremacy that is stronger and more punishing then their first 7", the "Buzzbox" EP.  This is a masterpiece. Black vinyl, 33 RPM, limited to 500 copies.

I can't think of a more appropriate name for this record then "BLURRR". Yes, with the all caps and extra two R's. This record is so crazy that a misspelling like that is totally proper. The whole recording is a blur. A cramped, claustrophobic, atonal, distorted, messy blastfest. But it just so happens to be the best EP I've heard all fucking year. What Gowl achieve on this record is complete deathy, noisegrind perfection unlike really any kind I've heard before. The bass and guitars are constantly fighting each other over domination in the mix, creating a torrential storm of inventive grinding. What riffs that burst out and survive the incredible muck are crushing, catchy, disgusting, and chunky. Even when Gowl uses the same riffs and patterns we've heard a million times they still make it sound distinctly their own. There are just too many great moments to coose from on this record. Like the blasting middle part of "Voltage Drop", or the bass string bends in "Adventures In Blues Traveling". Uniquely chaotic is an appropriate description I think. 

Of course this record wouldn't be the same without the incredible shining star of the whole thing, the drummer. Holy shit, this guy gives one of the best drum performances I've heard all year. Yes he's insanely fast, that's a given, but more importantly he has style! The accents, tampers and even the grooves he utilizes are always interesting and add that perfect extra bit of personality. Even his blasts, though they are fast, still feels like it could all fall apart at any second from trying to keep the tempo. It's that bit of raw, lively tension that enhances this records enjoyability and delivery incredibly.

Excellent packaging on this as well. Mr. Sean Bovine made this look just like a classic Bovine Records release. Instantly reminds me of the first couple ANb records or the Spazz/Floor split. The unique cover art fits in beautifully as well. No idea what's going on on the cover. 

Only a few things this year equal up to the awesomeness of "BLURRR". Buy this from the band and please support them. A full length is on the way, I hope this world is ready.

~VII