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Showing posts with label hypnic jerk. Show all posts
Showing posts with label hypnic jerk. Show all posts

Friday, July 14, 2017

Floating Rot

A great tape from some wonderful, trustworthy noise makers, released on a legendary cult label. I was sold from the very start. This is the excellent Oozing Meat/Hypnic Jerk split cassette, released this year on Chaotic Noise Productions. Most likely limited to 50-100 copies.

Hypnic Jerk is an excellent noisecore band from Michigan, and have been highlighted on this blog before. They've coined one of the best slogans for their group; Sincere Noisecore. Two words that perfectly describe the Hypnic Jerk experience. They are true purveyors of uncompromising, lo-fi harshness. Everything is 110% distorted, blown out, gritty, gore obsessed and fucked up. Characteristics that are still completely true on this 7 minute, 16 track recording. One of the rawest sessions I've heard from the Jerks, recorded as a duo, possibly in a live show setting. Yet again bordering on pure harsh noise, every sound is mangled and suffocating. Sharp spiked of feedback shriek out from the basement fidelity, low end rumbles and spastic blasting. Tortured and wretched vocals come through sometimes to let you know the members are still alive. Crushing stuff.


Oozing Meat is a more recent noisecore band featuring Jason Hodges from Suppression/Mutwawa/Bermuda Triangles, etc. and they are a glorious, twisted mess of noise. In good ol' noisecore fashion, they've cram 123 tracks under one name, "Floating Rot", and it's dank as fuck. The recording is very good, very loud and piercingly intense. Hot screeches of contact mic feedback open it up, with a repetitive sample of someone saying "oozing meat". The drums and vocals come in slowly at first in short bursts, giving lots of time for the pure noise to breath. As the side continues, the tracks and blasting become more and more close together and intense, with lots of varied vocals and different pieces of instrumentation and editing. The way that this side is edited and chopped together is incredibly sharp and jagged too, which we all know is a sound I'm a huge fan of. Tracks and vocals will start and stop very suddenly in a glitchy sort of way, it's very tinkered with. Another super solid side that makes me want more!

The J-card is very professionally made, with a brutal and tidy layout that perfectly suits the ugly sounds on this tape.  The dub is perfectly crispy too.

You can listen to this tape here, a link to purchase it is above. Please support these bands and Chaotic Noise Productions.

~VII

Tuesday, February 7, 2017

Hypnic Meat

There's tons of really quality, filty noise coming out of the midwest. Old news to anyone with an eye on the underground. The noisecore genre has grown massively in the past several years, and this tape is a great pairing of some really good projects that have come up. Hypnic Jerk from Michigan, and Horse Meat from Texas. Released in an unknown amount of Strangle and Amuse Tapes.

Hypnic Jerk never skimp out on sheer, unfliching brutality. The recording is a blown out bombshell recording, the fidelity is less than zero. It would almost be considered a straight up harsh noise recording if there weren't splash moments of cymbal crashes and strained vocals. Pretty sure during this recording Hypnic Jerk was just a drums and noise equipment due. A different sort of line-up then the usual noisecore affair, and they pummel you with it. Thirteen fast moving, chaotic noise tracks. Insanely harsh stuff for noise creeps.


Horse Meat is a solo noisecore project that uses a drum machine, and give another winning recording session on their side. Instantly winning me over with an excruciatingly long, overblown sample from one of my favorite movies, "Basket Case". After about a minute and a half of that, the blasting begins and I loved all seven tracks of it. Kinda reminiscent of 7MON when they used a drum machine, but Horse Meat actually has some parts that do resemble riffs (as free as they are), and don't play microsongs. The vocals are also diverse and fun, going from caveman "ooouurgh's", to cracked screams and some pitch shifted gutterals. Awesome project!!

The tapes sound great, and the layout and graphics are perfect. Strangle and Amuse definitely sticks to a solid look with their releases. The painted tapes do in fact play great, and they look dank as well.

Find this in a distro some where, I believe the label is sold out now. You snooze you lose.

~VII