No Bounds

Here's another piece of the huge stack of releases that Sidetracked has gotten released this year. A tidy and short cassette EP called "Perpetual Dissent", released by Alternatives Label. Probably in a run of 100 or so on pro-tapes.

This is definitely one of the strongest releases that Sidetracked has done this year, and will most likely be on my favorites of 2018 list.First off, the recording is fantastic, the guitars and bass sound heavy and hard as fuck! Great, catchy, warpy, angular riffs too, some of the best I've heard from them in a while. It's also a very focused EP, the songwriting in particular makes the whole thing flow very well. Repetitive yet always hard hitting. To me another example of the band's fantastic blending of noisecore and blasting hardcore genres. 

Every song starts with Jay saying the title of the track (referencing Seven Minutes of Nausea no doubt), then going in to super aggressive and powerful riffs, blasting, and vocals. For real, the recording/production and sound of the band is so on point on here. Every song also features a break of live recorded bass and drums, with a much more lo-fi recording fidelity. Every track is punctuated by a returning blast of riffs with the title screamed out again, drenched in echo and eventually dissolving into pure noise. Every song is written this way; which does get a little monotonous at just a few points. Some songs like "Never Change" would probably be even more insane is if was just blasting all the way through. But I appreciate the direct decision to sequence the EP this way. Besides, it rips so hard it could go on twice as long for me anyway.  

The tape looks and sounds great. It's loud and crisp and has a very nice layout. Brutally short as always. Probably just shy of 3 minutes, in and out. Fucking brilliant. 

This is the release that has been my go-to when I'm showing people Sidetracked for the first time these days. And pretty consistently they've all been impressed. Buy this!!!

~VII

Catalyst

Washington State based fastcore/noisecore mashup titans Sidetracked have had nothing short of an incredibly prolific couple of years. Releasing at least 12 individual pro-CDr EP's on Jay's own label, Problems They Persist, on top of many other split 7" records, tapes, and so on. I recently was able to snag the latest 6 (!) CD's, plus this super quick 10 track cassette EP released on Practiced Hatred called "Exile". Not sure how many this was limited to, but the red artwork variant has the lyrics included. Naturally, I had to snag that version. 

Wooo boy is this fassst. Pretty much by the time you pop in in the player and go and sit down, one side is over. Hardcore dudes will have the hardest time moshing to this. Heavy duty, super raw and incredibly stop/starty micro-jams. Long time admirers of Sidetracked will probably find a lot of similar qualities to the "Hustle" cassette, another 2 minute or so tape release if I remember correctly. Working with a heavy inspiration from early super aggressive hardcore bands in terms of riffs. Breaking them down and boiling song structure down to the shortest of track lengths. I've always thought Sidetracked was a genius band, and seeing them embrace rawer recording choices and taking on almost pure noisecore styles from time to time has been a very fascinating and wonderful thing to see.

I'm curious why the lyrics were only given to people who bought this red cover version. To me the lyrics in a Sidetracked song serve as strong a purpose as the music does. That aside, this tape looks sick. I really like the design, it's straight and to the point, and diverts from the usual look that Sidetracked releases have.

"Exile" has already sold out from the label, but I think Sidetracked still have some for sale on their bandcamp page.

~VII

Roses Are Red, Grinders Are Cool

Bruised Ego are a band that are very near and dear to my heart. One of my favorite bands to come out in the past few years for sure, and some of the raddest dudes. Their first demo tape really knocked me out when I first heard it a couple years ago, and their very active progression has been insane. This, their first full length LP "Roman Numeral One", was recently released on a variety of labels. I was lucky enough to be able to pay for a handful of copies before it went to press, and Brad was generous enough to put my lil' ol labels logo on the back. So yes this review is pretty biased, but fuck it cause y'all really need to check out Bruised Ego (and buy this LP from the band and other labels please).

Bruised Ego are a fastcore band through and through, exemplifying all the traits I love about the genre and its over the top sonic nature. Passionate, opinionated, the right amount of tongue in cheek, plus they can push the tempo's to mach 5. "Roman Numeral One" is the product of many hours spent refining their craft and they gave it the treatment it so deserves. I was so stoked when I heard that super metal producer/engineer Colin Marston was going to be recording the LP, and he definitely put a large roomy, thick sound to everything. A very raw, aggressive and energetic sound and performance comes through. It's warp speed shit, I gotta catch my breath a lot when I listen to this, and I've heard it quite a lot at this point.

Every song from the first demo is re-recorded here, but the remaining 15 tracks are all new and in your face. Bruised Ego always been really terrific song writers. Brad is a riff machine, incorporating a ton of influence from different styles of heavy music besides the tried and true fastcore bands. Adam's drumming is perfectly able to add the right amount of accents and tricks to make the riffing come alive in a new way. One of the craziest drummers to watch live. The track "Dundalk" for instance, has so many sharp stops and changes, it sounds like a track from No Comment's "Downsided", but on fast forward. Or the strange and staggering snare hit break in "Old Guy In The Pit". "Human Garbage" has a fantastically structured intro that weaves and morphs so tastily, then explodes into full on war mode. Mike is also sounding as aggressive as ever. Insane praise for being able to keep up vocals towards this music.

The packaging and layout of this record is total eye candy to me. It came out so good! The absolutely amazing cover art (done by Lobo Ramirez) is full of wonderful little easter eggs that were a lot of fun to pick out.

You can pick this LP up from the Bruised Ego link up above. Also from To Live A Lie and Craniophagus Parasiticus Records (can). Tru Freak doesn't seem to have a webstore. Fastcore is alive and well in 2018!

~VII

Fortress of Solid 'Tude

Two American fastcore bands unleashed full lengths on to the world last year. Both of them have an output that I consider to be something special. One more modern (I'll get to them in April), and the other a band of veterans. The Almighty Hummingbird of Death gave us their 3rd full length LP, "Forbidden Techniques", released by To Live A Lie records in a run of 500 copies. 100 on this orange vinyl color.

The 'Bird was actually the first band I've ever made a conscious effort to collect all their records. I fell off over the past couple years since my online buying days are past me, but getting this record was essential. HoD are always a band that push themselves and seems to strive to make every record they do stand apart from each other. Every one maintaining the signature style and grace of the band: from the 5" EP classic, "Goatmeal", to the 13+ minute long track on the Downsided split. "Forbidden Techniques" is the band at their peak right now, they've made what I consider to be their best record so far.

Everything about this record is just the best; it's the best recording the band has ever had. The drums sound full and punchy, same with the guitar and bass tones. The performances, the compositions, pshtt forgetaboutit. Not a dud in the whole line-up here, everything sounds so inspired and finely tuned. But not in a proggy, annoying way, they've just crafted amazing songs. Tons of fun little moments, like the solid decreasing tempo on the outro to the first song, "Fresh Hell". Which goes immediately into one of the most hard hitting tracks on the album, "Thicken". I can't not help but trash a few fists in the air every time that song kicks in. Or the fantastic gang shouts on "Fuck An Apology", one of my favorite tracks on the album and surely a future anthem for the band.

Always a band to have topical lyrics, "Forbidden Techniques" is not without it's fair share of social commentary. From our obsession with technology, the current political climate, to social media, the 'Bird have a lot on their minds. But still keeping a general fun attitude, more like poking and prodding instead of just preaching.

And the ARTWORK! Man, this is some of the coolest artwork I've seen on a grindy/fastcore album in a while. I love everything about this, the colors, the detail, it's glorious. Huge shout out to Lucan Korte for this masterpiece.

This release is still available, you absolutely need this in your life. Now a surprise kitty photobomb!

~VII

Brickbath

I've been waiting for Mellow Harsher's follow up to their "Demo 7"" for a long, long time. It was a solid bunch of songs for sure, but were drastically improved on with MH's more recent outputs. The two songs on the "Bitter Cold Compilation", split 7" with Internal Rot, and my long awaited "Served Cold EP", solidified them as one of the most exciting grindcore bands in the Midwest. The "Served Cold EP" was very recently released by Washington D.C. based label Malokul records in a run of 500. 100 were on orange and 100 on purple, the rest on black. Malokul very generously sent me an orange and black copy for this review. 45 RPM.

I've heard these songs dozens of times on Bandcamp, and was always thoroughly satisfied with this EP. It keeps some of the roughness of the Demo's recordings, but with the clarity and precision of their more recent output. The vinyl pressing definitely highlights this. Man is it nice to hold a new, physical MH record. Like all their releases, "Served Cold EP" is a brilliant example of how to pull of herky-jerky, techy grindcore, in the right way. The vocals, riffs and brutal drumming all trade off and switch with surgical precision, but they keep it tough! There's no flashy guitar noises, or plastic and sterile sounding production. It doesn't sound like this shit is just wanking, it's earned. Mellow Harsher apply their musicianship into actually writing some fantastic, blood boiling songs! With some very well written breakdowns that thankfully avoid blatant Infest and Crossed Out worship ("Brickbath", "Stepped On"). Playing this in my room I can't help but thrash my fists around and stomp-mosh around the place. Also, probably my favorite snare drum of the year, this drummer is unstoppable.

I love the consistent, crude, colored pencil drawings that Mellow Harsher uses. They're effectively bleak and at the same time raise questions. Mainly why the Charlie Brown sweater? Anyway, Malokul gave the "Served Cold EP" a very nice glued sleeve package with a thick vinyl pressing. No insert however.

The orange vinyl is only available exclusively through the Malokul Records webstore. The purple vinyl is actually a band-only exclusive. So I might pick one up when I see them this month. Just to round everything off since I have 2 of the 3. They look beautiful.

One of the best grindcore EP's of the year. Worship Mellow Harsher.

~VII

Disgusting Taste

I have not been very good at keeping up with my beloved Archagathus very well this year. Truly, the pains of being an avid collector of an active-as-fuck band like the this are heavy. And the Prince of Mince has definitely not been slowing down. They released the brutal, gore worshipping full length "Dehumanizer" last year, and the usual spree of crucial splits with bands like Sordo, Lt. Dan, Sete Star Sept, and Carcass Grinder. Sadly, many of these are still not in my possession, and I mourn that every day. However, one split I was very happy to recently land is the incredible split 7" with Self Deconstruction from Japan. Released on Agromosh Records this year in a run of 1000 copies.

This split seems to be unanimously received as one of the best things that Archagathus have done recently. I do definitely place myself in that club of opinion, to me one of the best group of songs they've done since "Canadian Horse". Opening shit up with that perfect and notorious cover of Dahmer's "Thomas Hamilton". Absolutely nailing it with an attention grabbing drum intro and the right amount of shameless worship of the band they're honoring. Dahmer's influence is all over this side, most notably in the layered vocals (which are the bomb btw), and repetitive and consistent riffing styles song-for-song. Archagathus's more recent evolution into a mincegore band often doesn't always leave me satisfied, but they really nailed it on this one. Throwing in a lot more catchy riffs, like on the closer "Government Influenza", which to me is an excellent blend of the gore side, and the fun punk as fuck mince of their earlier works. Goddamn I love this band.

Strangely enough, I really don't see many people mention Self Deconstruction's side when they're talking about this split. Which is really unfortunate, because I feel like that definitely would detract people from checking this band out. I initially wasn't that motivated to turn the record over and hear their side, cause I didn't hear any real hype. Holy crap though, Self Deconstruction's offering is just insanity! Admittedly, a pretty weird band to share a split with Archagathus, as their approach to writing grind is almost night and day. If you didn't know this band was from Japan, you'd probably figure it out pretty quick from just a few seconds of their side. Metallic, semi-free, chaotic and dissonant spazzcore is what they bring, with a huge thrashcore influence. Distinctly over-the-top and unhinged song writing, bouncing from riff to riff at the speed of light, but still sounding tight and professional. I was really pleasantly surprised with this band, and I'll definitely be on the lookout for them in the future.

Standard packaging on here, with all the proper info and credits on the inside. All copies are on this purpley, marble vinyl. Fun fact: Archagathus side plays at 33 RPM and SD's plays at 45 RPM. Don't let that fool ya.

There's 1,000 copies of this, so you should have no problem finding one. Buy or forever pose.

~VII

On The Pulse

Limbs Bin's latest release on his own label, Follow Me Into The Laser Eye, is my highly anticipated split cassette with Tacoma, WA's fastcore titans Sidetracked. A rather unusual pairing on paper, given both bands respectably different styles of fast, intense music. Paired up solely out of mutual respect and interest in each others projects, I have no doubt. Which is definitely as it should be. Sidetracked's recent flirtations with the more abstract realms (The Gaz-66 Intrusion split, the "Escape" EP) definitely had me interested in what they were going to do. And it is by far their most unusual recording to date. Focusing on one slithering guitar drone with tension releasing bursts of vocals and drums. Limbs Bin does his usual drum machine n'noise onslaught, to a staggeringly level of blurred insanity. Some of his more intense stuff for sure. Like the last Limbs Bin split I posted about on here, you can read my full review for this split on Operation Grindcore. This post here will largely be just to show off the excellent layout and art by Alex York. 

Once again, this is a fantastic looking tape. Mr. York's style really pairs will with Limbs Bin's releases. This is a professionally dubbed and printed C4 tape, with a fully printed-double sided J-card. I think it's limited to some unusual amount, like 64 copies. 

The art kinda looks like the shower scene in "Psycho" going through a fantastic 80's sci-fi movie poster filter. 

Copies of this tape are still available from Limbs Bin.

~VII

The Awkward Moment When You Realize Grindcore Has Become Fashion

Y'all know I am always hungry to add to my Sete Star Sept vinyl collection. One of the best and coolest bands going right now in my opinion. A total inspiration and joy to witness grow musically, and watch their expansive discography continue to get larger. So huge thanks to Pompeo from xKATExMOSHx for graciously sending me a copy of their new split with SSS, all the way from Italy. This is the gorgeous and brutal split 7" between Japanese noisegrind and Italian fastcore. Red vinyl, 33 RPM.

Sete Star Sept bring their long standing and perfected style of spastic improvised noise with brutal results yet again. Fantastic riffage from Kae on this one. Not a whole lot of fretboard traveling here, but a lot of weird chords. Both her and Kiyasu really go in on the brutal grind assault, as always. While letting some passages breath a little bit more though, it's not a total blast fest through out. The centerpiece if you will, is the final track, "Life of Mr. B". A longer, jamming song that almost reaches the three and a half minute mark. It's curiously way more lo-fi and compressed then the rest of the 30 second rippers on their side, but I dig the contrast.
xKATExMOSHx seems like a pretty unusual pairing for SSS. Their incredibly tight and very well recorded 8 song offering is definitely a night and day difference from Sete's chaotic bursts. This being my first proper introduction to KxM, I'm definitely in favor of their style. Sticking very closely to the traditional sounds of Crossed Out and Spazz, with a more modern upgrade. It's super solid stuff, with a ton of excellent and varied vocals and powerful drumming. I'm not a huge fan of the breakdowns they write, honestly. They're just to average and pretty ordinary sounding. Like something I could hear from any powerviolence band going today. They pop up a lot, which is a shame, but the when they go fast, it definitely makes up for it.

The packaging on this is awesome. A full color, thick, fold over sleeve with a high gloss finish. Very similar to the Get Destroyed 7" released a couple years ago. Every copy it on red vinyl I'm pretty sure. Also, do not be fooled by the 45 RPM on the center label. This baby definitely is supposed to be played at 33.

~VII

Toyota Has Nothing To Do With Hardcore

Obacha has been a favorite of mine from the catalog of amazing Canadian bands. A three-piece at the time of this recording, and onward, they made some of my favorite lo-fi fastcore ever. This split with Chetwrecker originally came out on a self-released cassette, which I've had for a while, and I finally got the 7" vinyl last month. Released by Mullet Death and Black Banana Records, 45 RPM, red marble vinyl.

This one of the lowest of fi records I've heard in a long time. You gotta crank this thing to get to that exciting, loud level. Never the less, Obacha's side is some of my favorite in their discography. This is one of their most manic sessions ever. Pulverizing stop and start fastcore, the kind where everything is brought to absurd, freakish, Japanese-level insanity. Chetwrecker is a lo-fi grindy violence band from the west coast with members of Misanthropic Noise. They bring some solid grind tunage to the table, a good mix of Despise You/Lack Of Interest style powerviolence and mid-west manic rawness. There's some good grooves and some creative enough slow parts to keep my interest, and peep the new 7" on Opaques Records that I'm pretty keen on getting.

DIY packaging; a photocopied cover sleeve and insert. Not far off-looking from the tapes packaging actually, except for the artwork. It fits.

The only Obacha record I need is the Stillbirth 7". And that damn split with Slave, who I swear are a ghost band by this point. I haven't seen their releases anywhere.' Obacha have split up at the tail end of last year, but a couple member kept going with an absurdely good project called Throat Slitter. Who's one demo is hands down one of my favorite releases of 2014. I still need to get that one too. 

~VII