Friday, April 20, 2018

Human Garbage Disposal

I was after the Sulfuric Cautery/Suppression split for longer than I wanted to be. Every day that I didn't have this tape in my hands I died a little more inside. It's hard for an east coast boy like me to find releases from bands like this in the wild. I haven't been able to find any of the recordings on the internet too which made my interest in it all the more extreme. Now I finally have it, I was able to pick it up when I saw Suppression in Detroit, and it's a thing of beauty. 

Sulfuric Cautery are probably underground grindcore's most beloved band right now, and for good reason. They really do take speed and brutality to a whole other level. Some of the craziest shit I've heard in years. I think their side is one of the first that had Trashy from Pizza Hi Five in the line-up. It's fucking great, obviously; noisy, brutal, the perfect fix for a blast beat junkie. Trashy and Ryan spew their respective vocals constantly in a wash of chaotic roars. Issac does what Issac does, the most insane blasting you've ever heard. It's a total slaughter fest from the beginning, to the ending batch of noisecore songs. Sulfuric's mix of complete chaos and precise song structure is in a league of it's own, and this side is a great example of all their strengths. 

Suppression are the supreme lords of their craft right now, a fucked up and lo-fi noisecore/powerviolence/noise rock hybrid. I have no idea how they are able to write this many songs at such a rapid pace, but they do, and here we get 16 total bangers. Legitimate, composed songs with lyrics, each one distinguishable from the last. From full on noisecore, to riffy, fuming stompers. What other band can put pitch-shifted vocals over a twisted Minutemen/Lightning bolt style bass riff and a blast beat and have it be amazing? Another real stand-out is the track "Art in Death"; I adore how the drum rhythm matches up with the delayed and looped bass hits. Seeing how perfectly they pulled the track off live only cements their perfection. It also ends with a wonderful 2 second track, a wonderful final hit.

I love the cover art on this. A wonderful Pettibon style/"The Burning" mash-up. This tape was a joint release by Chaotic Noise Productions, Feel Good Grind, Blast Addict, and Grindfather for the overseas crowd. I suspect Jason from CNP/Suppression had the biggest part in assembling them, as the general layout and packaging is pretty familiar. I also love the groovy, textured boarder on the cassette itself. Little details like that help make releases stand out to me.

In closing, you should already know.

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